stars

Welcome my dear friends. Enjoy your visit and share your thoughts. Thank you, much love

Tuesday, 27 May 2014

THE LEGEND OF KNOCKSHEOGOWNA.

Hi dear friends and followers, I believe we perhaps again have another example of shape shifting which appears to be a commonplace phenomena in our myths and legends. Thank you for viewing, and please feel free to share your thoughts 
Your Fairy Lady
THE LEGEND OF KNOCKSHEOGOWNA.

In Tipperary is one of the most singularly-shaped hills in the world. It has a peak at the top like a conical nightcap thrown carelessly over your head as you awake in the morning. On the very point is built a sort of lodge, where in the summer the lady who built it and her friends used to go on parties of pleasure; but that was long after the days of the fairies, and it is, I believe, now deserted.

But before lodge was built, or an acre sown, there was close to the head of this hill a large pasturage, where a herdsman spent his days and nights among the herd. The spot had been an old fairy ground, and the good people were angry that the scene of their light and airy gambols should be trampled by the rude hoofs of bulls and cows. The lowing of the cattle sounded sad in their ears, and the chief of the fairies of the hill determined in person to drive away the newcomers and the way she thought of was this.

When the harvest nights came on, and the moon shone bright and brilliant over the hill, and the cattle were lying down hushed and quiet, and the herdsman, wrapped in his mantle, was musing with his heart gladdened by the glorious company of the stars twinkling above him, she would come and dance before him, -now in one shape - now in another, - but all ugly and frightful to behold.


One time she would be a great horse, with the wings of an eagle, and a tail like a dragon, hissing loud and spitting fire. Then in a moment she would change into a little man lame of a leg, with a bull's head, and a lambent flame playing round it. Then into a great ape, with duck's feet and a turkey-cock's tail. But I should be all day about it were I to tell you all the shapes she took. And then she would roar, or neigh, or hiss, or bellow, or howl, or hoot, as never yet was roaring, neighing, hissing, bellowing, howling, or hooting, heard in this world before or since. The poor herdsman would cover his face, and call on all the saints for help, but it was no use.

With one puff of her breath she would blow away the fold of his greatcoat, let him hold it never so tightly over his eyes, and not a saint in heaven paid him the slightest attention. And to make matters worse, he never could stir; no, nor even shut his eyes, but there he was obliged to stay, held by what power he knew not, gazing at these terrible sights until the hair of his head would lift his hat half a foot over his crown, and his teeth would be ready to fall out from chattering. But the cattle would scamper about mad, as if they were bitten by the fly; and this would last until the sun rose over the hill.

The poor cattle, from want of rest, were pining away, and food did them no good; besides, they met with accidents without end. Never a night passed that some of them did not fall into a pit, and get maimed, or maybe killed. Some would tumble into a river and be drowned. In a word, there seemed never to be an end to the accidents.


But what made the matter worse, there could not be a herdsman got to tend the cattle by night. One visit from the fairy drove the stoutest-hearted almost mad.

The owner of the ground did not know what to do. He offered double, treble, quadruple wages, but not a man could be found for the sake of money to go through the horror of facing the fairy.


She rejoiced at the successful issue of her project, and continued her pranks. The herd gradually thinning, and no man daring to remain on the ground, the fairies came back in numbers, and gamboled as merrily as before, quaffing dew-drops from acorns, and spreading their feast on the heads of capacious mushrooms.

What was to be done?, the puzzled farmer thought in vain. He found that his substance was daily diminishing, his people terrified, and his rent day coming round. It is no wonder that he looked gloomy, and walked mournfully down the road.

Now in that part of the world dwelt a man of the name of Larry Hoolahan, who played on the pipes better than any other player within fifteen parishes. A roving dashing blade was Larry, and feared nothing. Give him plenty of liquor, and he would defy the devil. He would face a mad bull, or fight single-handed against a fairy.


In one of his gloomy walks the farmer met him, and on Larry's asking the cause of his down looks, he told him all his misfortunes. "If that is all ails you," said Larry, "make your mind easy. Were there as many fairies on Knocksheogowna as there are potato blossoms in Eliogurty, I would face them. It would be a queer thing, indeed, if I, who never was afraid of a proper man, should turn my back upon a brat of a fairy not the bigness of one's thumb." "Larry," said the farmer, "do not talk so bold, for you know not who is hearing you; but, if you make your words good, and watch my herds for a week on the top of the mountain, your hand shall be free of my dish till the sun has burnt itself down to the bigness of a farthing rushlight."

The bargain was struck, and Larry went to the hilltop, when the moon began to peep over the brow. He had been regaled at the farmer's house, and was bold with the extract of barley-corn. So he took his seat on a big stone under a hollow of the hill, with his back to the wind, and pulled out his pipes.

He had not played long when the voice of the fairies was heard upon the blast, like a slow stream of music. Presently they burst out into a loud laugh, and Larry could plainly hear one say, "What ! Another man upon the fairies' ring? Go to him, queen, and make him repent his rashness!" And they flew away.


Larry felt them pass by his face as they flew like a swarm of midges; and, looking up hastily, he saw between the moon and him a great black cat, standing on the very tip of its claws, with its back up, and mewing with the voice of a water-mill. Presently it swelled up towards the sky, and, turning round on its left hind leg, whirled till it fell to the ground, from which it started up in the shape of a salmon, with a cravat round its neck, and a pair of new top boots. "Go on, jewel," said Larry. "If you dance, I'll pipe." and he struck up. So she turned into this, and that, and the other, but still Larry played on, as he well knew how.

At last she lost patience, as ladies will do when you do not mind their scolding, and changed herself into a calf, milk-white as the cream of Cork, and with eyes as mild as those of the girl I love. She came up gentle and fawning, in hopes to throw him off his guard by quietness, and then to work him some wrong. But Larry was not so deceived; for when she came up, he, dropping his pipes, leaped upon her back.

Now from the top of Knocksheogowna, as you look westward to the broad Atlantic, you will see the Shannon, queen of rivers, spreading like a sea, and running on in gentle course to mingle with the ocean through the fair city of Limerick. It on this night shone under the moon, and looked beautiful from the distant hill.


Fifty boats were gliding up and down on the sweet current, and the song of the fishermen rose gaily from the shore. Larry, as I said before, leaped upon the back of the fairy, and she, rejoiced at the opportunity, sprung from the hilltop, and bounded clear, at one jump, over the Shannon, flowing as it was just ten miles from the mountain's base.

It was done in a second, and when she alighted on the distant bank, kicking up her heels, she flung Larry on the soft turf. No sooner was he thus planted. than he looked her straight in the face, and scratching his head, cried out, "By my word, well done! That was not a bad leap for a calf!" She looked at him for a moment, and then assumed her own shape.


"Laurence," said she, “you are a bold fellow. Will you come back the way you went?" "And that's what I will." said he, "If you let me."

So changing to a calf again, again Larry got on her back, and at another bound they were again upon the top of Knocksheogowna. The fairy once more resuming her figure, addressed him: "You have shown so much courage, Laurence," said she, "that while you keep herds on this hill you never shall be molested by me or mine. The day dawns; go down to the farmer, and tell him this; and if any thing I can do may be of service to you, ask and you shall have it."


She vanished accordingly and kept her word in never visiting the hill during Larry's life. But he never troubled her with requests. He piped and drank at the farmer's expense, and roosted in his chimney corner, occasionally casting an eye to the flock. He died at last, and is buried in a green valley of pleasant Tipperary, but whether the fairies returned to the hill of Knocksheogowna after his death is more than I can say.



☼* ᵔᴥᵔ ᴥ•.¸¸.•´´¯) ¸.´¯) ƸӜƷ(¸´❤❤♪♫♪ƸӜƷ☼
¸.•*""*•.¸  . •' ° . *. . ¸. ° ¸.)¸.•*""*•.
✽¸••*•⋆⋆❀ ✿ღڪےღڰۣ✿✽¸•♥•¸✽

ᵔᴥᵔ ᵔᴥ¸.•*¨ƸӜƷ ¸
´~*


Monday, 26 May 2014

Have a Thoughtful Memorial Day everyone

Have a Thoughtful Memorial Day everyone

☼* ᵔᴥᵔ ᴥ•.¸¸.•´´¯) ¸.´¯) ƸӜƷ(¸´❤❤♪♫♪ƸӜƷ☼
¸.•*""*•.¸  . •' ° . *. . ¸. ° ¸.)¸.•*""*•.
✽¸••*•⋆⋆❀ ✿ღڪےღڰۣ✿✽¸•♥•¸✽❤
ᵔᴥᵔ ᵔᴥ¸.•*¨ƸӜƷ ¸
´~*

Hi, Dear Friends, We live in a world of duality and this duality appears to exist in the myths and legends.  Either humanity conceived it or is there also a dark side in the realm of the unseen?   

I do not intend to delve into the dark side but to go there only on occasion.  Are banshees truly a dark side spirit?  Judge for yourself in this next offering.  Thank you.

The Banshee, Celtic Death Messenger
Throughout history and across cultures there are stories and myths of beings that forewarn of human death. Just as the joy and desire to live is innate to most humans, so is the fear and dread of death. Seeing a ghost is not as alarming as the chilling knowledge that "as I am, so you shall be". Because mankind lives at the behest of the beautiful sometimes cruel powers of Nature, a prophecy of death returns a bit of order to those struggling to see a tapestry of cosmic or divine purpose.

In past centuries (and even today) humans look for signs of eccentricities of domestic time to portend the snipping of the thread of human life. Clocks chiming irregularly or stopping, roosters crowing at night, candles melting in winding sheets or bees swarming at doors or windows to accompany a soul in flight. Birds perching at windowsills or housetops such as owls, robins and ravens have often been seen as harbingers of gloomy news. In Scotland, the "bean-nighe" or washing woman is seen by travelers around pools or fjords washing the shrouds of those who are about to die, singing a dirge or crying. The bean-nighe will tell for whom she is keening and also the fate of those travelers who would dare to ask her. The bean-nigh is thought to be the ghost of a woman who died in childbirth. The feminine gender of this grieving spirit is a theme found again in the exclusively Irish form of the "bean-si", or banshee.

The banshee tradition occurs throughout Ireland and nearby islands. The gaelic terms used most frequently to describe the banshee are the "bean-si" (a female dweller of a sidhe, or fairy mound), the "bean chaointe" (a female keener, a term found in east Munster and Connaught) and the "badhb" (referring to a more dangerous, frightening bogey). Although "bean-si" implies an Otherworld or fairy being, the banshee is a solitary creature without male counterpart who never partakes in communal human or fairie social enterprise. Speculation also links the banshee with the mystical race Tuatha De'Dannan, from whence the fairy folk are descended. There is little folk evidence to support Christian explanations that the banshee is a devil who wails for the souls that are lost to her as they ascend to heaven, or that they are familial guardian angels or souls of unbaptized children or even the souls of women who committed the sin of pride in life.

The mourning of the deceased is not just the affair of surviving relatives in Ireland. In years past, the measure of a person's respect and stature in the community could be seen in the number of mourners at a funeral and the breadth of their grieving. Professional women keeners, often old women, were paid in drink to weep at the graveside of eminent figures in the community. The Church frowned upon the entanglement of these often alcoholic women and their funerary services, perhaps giving rise to another theory that banshees are the ghosts of professional keeners doomed to unrest as a result of their insincere grieving. Interestingly, this does touch on a basic component of the banshee legend: that banshees follow certain families. If banshees are the ghosts of deceased keeners, their accompaniment is probably due more to a sense of loyalty than a sense of guilt.

More likely the banshee should be thought of as the "spirit of the family", a spirit who attends to the family in a time of transition. The banshee is described as a wee woman with long white, blond or even auburn hair who appears in the vicinity of the birthplace of the soon to be deceased. When seen, she is wearing the clothes of a country woman, usually white, but sometimes grey, brown or red. The former hues represent the colors of mourning while red is associated with magic, fairies and the supernatural. In some accounts she is seen combing her hair as she laments. She is heard more often than seen, wailing as she approaches the abode in the late evening or early morning, sometimes perching on the windowsill two to three hours or even days before a death. As she moves off into the darkness witnesses describe a fluttering sound, such as the sound made by birds flying at night. Hence, the mistaken belief that banshees manifest as birds such as the crow. The inaccurate association with crows is probably due to confusion of the banshee with the primitive Celtic goddess Badb, the goddess of war who appeared frequently in the form of a crow.

Banshees also wail around natural forms such as trees, rivers, and stones. Wedge shaped rocks known as "banshee's chairs" are found in Waterford, Monaghan and Carlow. Although there have been reports of banshees accompanying Irish families who emigrated to the Americas, it appears the banshee more often grieves for an emigrant at the ancestral family seat in Ireland. Stories are told of the misfortune visited upon men who interfered with the banshee by taking her comb or challenging her. These tales point up the value of courteousness towards women, the avoidance of drink, violence and late hours.

There is historical precedence for the banshee's appearance as a female spirit. In Genesis, Eve delivers the apple to Adam. In the Christian myth, Mary delivers Christ unto the world, in ancient Greece women prophesied the message of the gods to mortals who sought their divine purpose at the Oracle of Delphi. Women "deliver" children into the world. As death is as natural as life, it is appropriate that the banshee, a feminine shade, provide the message which ushers a soul along on its journey.

The announcement of the banshee was heard by non-relatives and friends, not usually by close family members of the dying. With this warning, friends from far and near would travel to the failing individual knowing it was the last chance to say goodbye. Upon being told of the banshee's pronouncement, surviving family members could admit the finality of the situation and accept the support of the community that had gathered around them. The visitation of the banshee gave the tribe the opportunity to talk openly about the death with family members and thereby ease the mourning process. Although human death is inescapable, the foreknowledge of such an event does provide advantages, to the soon-to-be-deceased, the survivors and the community -- thereby honoring both the living and the dead.
By C. Austin
☼* ᵔᴥᵔ ᴥ•.¸¸.•´´¯) ¸.´¯) ƸӜƷ(¸´❤❤♪♫♪ƸӜƷ☼
¸.•*""*•.¸  . •' ° . *. . ¸. ° ¸.)¸.•*""*•.
✽¸••*•⋆❀ ✿ღڪےღڰۣ✿✽¸•♥•¸✽❤
ᵔᴥᵔ ᵔᴥ¸.•*¨ƸӜƷ ¸
´~*

Sunday, 25 May 2014

Elementals, Nature Spirits, Fairies, Ellyllon



Elementals, Nature Spirits, Fairies, Ellyllon


An elemental is a being first appearing in the alchemical works of Paracelsus. The basic concept of an elemental refers to the ancient idea of elements as building blocks of nature. An elemental is a creature (usually a spirit) that is attuned with or composed of one of the classical elements: air, water, earth and fire. The elements balance each other out through opposites. Water quenches fire, fire boils water, earth contains air, air erodes earth.


Elemental or nature spirits never knew life as we know it as they originated from another realm of existence. Today’s society finds it very difficult to believe in the typical Victorian fairy, but it has not always been that way.


In the Middle Ages, the learned defined it as a divinity or unknown force, which had a fascinating effect on the other divinities and on men and events. The French word fée has a similar origin and resulted in the English words fey and fairie which, as time went by, suffered spelling variations from fayerye, fayre, faerie, faery, and fairy. According to its etymology, it is a fantastic being pictured as a woman known to have magical powers. For the Saxons, the word faerie refers to the world of fairies as an entity, being a geographical location.

The world of fairies is a mixture of a mysterious enchantment and extreme caution should be exercised to penetrate into this world, as nothing is more irritating to fairies than several human beings curiously moving around their extraordinary dominions, like spoiled tourists. Location of these elementary beings has varied throughout time and cultures. For the Irish, sometimes it was found in the horizon; for others under their own feet; on other occasions, on hills, or in a magical island on the high seas or under the ocean.

Welsh Fairies

The Ellyllon are the pigmy elves who haunt the groves and valleys of Wales and correspond closely to the English elves. The English name was probably derived from the Welsh el, a spirit, yielding elf, an element. There is a whole brood of words of this class in the Welsh language, expressing every variety of flowing, gliding, spirituality, devilry, angelhood, and goblinism. Ellyllon (the plural of ellyll), is also doubtless allied with the Hebrew “elilim,” having with it an identity both of origin and meaning. [Pughe's 'Welsh Dictionary.' (Denbigh, 1866)] The poet Davydd ab Gwilym, in a humorous account of his troubles in a mist in the year 1340, says:

Yr ydoedd ym mhob gobant
Ellyllon mingeimion gant.

There was in every hollow
A hundred wrymouthed elves.

The hollows, or little dingles, are still the places where the peasant, belated on his homeward way from fair or market, looks for the ellyllon, but fails to find them.

Their food is specified in Welsh folk-lore as fairy butter and fairy victuals,ymenyn tylwyth teg and bwyd ellyllon, the latter the toadstool, or poisonous mushroom, and the former a butter-like substance found at great depths in the crevices of limestone rocks, in sinking for lead ore.

Their gloves, menyg ellyllon, are the bells of the digitalis, or fox-glove, the leaves of which are well known to be a strong sedative.

Their queen, for though there is no fairy queen in the large sense, 
Ellyllon is the fairy-king. There is a queen of the elves, none other than the Shakespearean fairy spoken of by Mercutio, who comes:

In shape no bigger than an agate-stone
On the forefinger of an alderman
['Romeo and Juliet,' Act II,. Sc. 4]

Shakespeare's use of Welsh folklore, it should be noted, was extensive and peculiarly faithful. Keightley, in his Fairy Mythology rakes the bard soundly for his inaccurate use of English fairy superstitions. But the reproach will not apply as regards Wales.

From his Welsh informant Shakespeare got Mab, which is simply the Cymric for a little child, and the root of numberless words signifying babyish, childish, love for children (mabgar), kitten (mabgath), prattling (mabiaith), and the like, most notable of all which in this connection is mabinogi, the singular of Mabinogion, the romantic tales of enchantment told to the young in bygone ages.



The Tale of Rowli Pugh and the Ellyll


In the Huntsman's Rest Inn at Peterstone-super-Ely, near Cardiff, sat a group of humble folk one afternoon, when I chanced to stop there to rest myself by the chimney-side, after a long walk through green lanes. The men were drinking their tankards of ale and smoking their long clay pipes; and they were talking about their 
dogs and horses, the crops, the hard times, and the prospect of bettering themselves by emigration to America. On this latter theme I was able to make myself interesting, and acquaintance was thereupon easily established on a friendly footing. I led the conversation into the domain of folk-lore and this book is richer in illustration on many a page, in consequence. Among others, this tale was told:

On a certain farm in Glamorganshire lived Rowli Pugh, who was known far and wide for his evil luck. Nothing prospered that he turned his hand to; his crops proved poor, though his neighbours' might be good. His roof leaked in spite of all his mending. His walls remained damp when every one else's walls were dry, and above all, his wife was so feeble she could do no work. His fortunes at last seemed so hard that he resolved to sell out and clear out, no matter at what loss, and try to better himself in another country--not by going to America, for there was no America in those days. Well, and if there was, the poor Welshman didn't know it.

So as Rowli was sitting on his wall one day, hard by his cottage, musing over his sad lot, he was accosted by a little man who asked him what was the matter. Rowli looked around in surprise, but before he could answer the ellyll said to him with a grin, “There, there, hold your tongue, I know more about you than you ever dreamed of knowing. You're in trouble, and you're going away. But you may stay, now I've spoken to you. Only bid your good wife leave the candle burning when she goes to bed, and say no more about it.” With this the ellyll kicked up his heels and disappeared.

Of course the farmer did as he was bid, and from that day he prospered. Every night Catti Jones, his wife, (until recently, Welsh women retained their maiden names even after marriage) set the candle out, swept the hearth, and went to bed. And every night the fairies would come and do her baking and brewing, her washing and mending, sometimes even furnishing their own tools and materials.

The farmer was now always clean of linen and whole of garb. He had good bread and good beer. He felt like a new man, and worked like one. Everything prospered with him now as nothing had before. His crops were good, his barns were tidy, his cattle were sleek, his pigs the fattest in the parish. So things went on for three years.

One night Catti Jones took it into her head that she must have a peep at the fair family who did her work for her and, curiosity conquering prudence, she arose while Rowli Pugh lay snoring, and peeped through a crack in the door. There they were, a jolly company of ellyllon, working away like mad, and laughing and dancing as madly as they worked. Catti was so amused that in spite of herself she fell to laughing too, and at sound of her voice the ellyllon scattered like mist before the wind, leaving the room empty. They never came back any more but the farmer was now prosperous, and his bad luck never returned to plague him. 

Thank you, my dear friends, for dropping by to visit the Fairy Lady. I have enjoyed your company.
And please be happy and smile 
☼* ᵔᴥᵔ ᴥ•.¸¸.•´´¯) ¸.´¯) ƸӜƷ(¸´❤❤♪♫♪ƸӜƷ☼
¸.•*""*•.¸  . •' ° . *. . ¸. ° ¸.)¸.•*""*•.
❤✽¸•♥•*•⋆⋆❀ ✿ღڪےღڰۣ✿✽¸•♥•¸✽❤
ᵔᴥᵔ ᵔᴥ¸.•*¨ƸӜƷ ¸
´~*