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Tuesday, 4 February 2014

Fairy and Elves in Tolkien and Traditional Literature


Fairy and Elves in Tolkien and Traditional Literature

Beginning of article

Introduction

MANY OF THE MARVELS OF TOLKIEN'S SECONDARY
WORLD ARE, as expected in a legendarium sprung from his longing for a body of legends dedicated to England, motifs drawn from English traditional fairy-tales, often reinterpreted under his particular vision of how they "should be." Thus there are, among many other wonderful things, magical bewildering woods, dragons like those of ancient legends, stout Dwarves (unlike the classical dwarfs!), (1) and specially Elves, the central characters of the mythological ages.

However, there is a persistent silence about "fairies" or "fays" (except in the earliest writings), which, judging by their name only, could be considered one of the principal elements in fairy-tales. Only in his earliest poems and in the Book of Lost Tales did fairies play an important part. But soon he abandoned terms such as fairy or fay, and chose to stick to its synonym elf. This fact has been attributed to four possible reasons (cf. Fimi 58-60): (a) unlike fairy or fay, which come from Old French, elf has an Old English origin more suitable for his project of a "mythology of England"; (b) in English literature the creatures of Fantasy had generally received an imprint of playfulness and prettiness both inconsistent with the
serious and tragic characteristics of the tales, but this affected the popular fairies and fays to a larger extent than the more archaic elves; (c) the term fairy also became charged with sexual connotations that Tolkien would have preferred to avoid; and (d) after the Great War, fairies ceased to be a popular literary theme, and that could have discouraged Tolkien, too--although in many other points he radically detached himself from Modernist trends.

Thus Tolkien preferred to name the Elder Children of Iluvatar by the Germanic word, and used the Old French terms sparingly, reserving them for specific contexts in which their original sense was suitable. (2) That fact, together with Tolkien's occasional commentaries about his dislike of the style of the contes de fees in that language (Letters 274), and his explicit regret of "Goblin Feet," a representative piece of Tolkien's early fairy-poetry (The Book of Lost Tales, Part One [BLT1] 32), might lead readers to underestimate the importance of the "fairy" element in his later
work. The objective of this essay is to show that many typical characteristics of modern fairies were not simply avoided by Tolkien, but integrated into his Elves, albeit transformed or reinterpreted in order to keep the internal coherence of his mythology.

That transformed continuation was also applied to the term fairy itself, which was respected by Tolkien. That word is actually one of the first elements discussed by him in his essay On Fairy-Stories. In that essay he declared his interest on the word's meaning of "Otherworld beyond the five senses," and usually spelled it archaically as Faerie, Faery or Fayery to mark the difference (On Fairy-Stories [OFS] 85)--just like he preferred the spelling Dwarves rather than Dwarfs. But such special use is usually regarded as an exception; on the other hand, Tolkien's disdain for fairy as a synonym of elf is often argued, on the basis of its foreign, French
origin and its fanciful connotations (see above, and also Shippey, The Road to Middle-earth [Road] 56-7; Burns 23; Spangenberg 186). This apparent ambiguity in Tolkien's regard for that word can be explained by the greater antiquity of the abstract meaning, in contrast to its later, distorted application as a name for elvish creatures. However, such a straightforward opposition is a simplification of the literary facts about the word.

Etymology of fairy

As commented on above, Tolkien had a special interest in the original, abstract sense of fairy, so it is worth exploring in detail how that word entered and evolved in English language, although it is a complicated matter, since its earliest attestations are scanty, and a great part of its history would be explained by the unrecorded oral tradition, which is beyond our reach.

By De Rosario Martinez, Helios
Academic journal article from Mythlore, Vol. 28, No. 3-4
Article details

Tales of meeting real Fairies

Tales of meeting real Fairies

A collection of tales describing real encounters of meeting fairieswhat a real fairy very much looks like

Is it a Fairy or is it a Faerie?

My first encounter with a fairy was just off the local popular bridal way near where I used to live in County Durham between Rolands Gill and Medomsley. I had a period when I would jog about a mile or so up the track in an attempt to get fit. Often however, I never made the mile as I would either be dragged into the wood by some fun nature spirits wanting to play or by Herne the hunter to be led to some interesting energy areas. On one such occasion I was led through the undergrowth until I emerged by a stream. There was a small overhanging tree on the other side which seemed to have some sort of being sitting in its central branches about two meters from the ground.

How big are fairies and do they carry wands?

As I got closer, it resolved into a white creature holding a long stick type thing which actually twinkled at one end – sorry but I just could not handle that this could be a magic wand. What really confused me was that it seemed quite big (about two feet tall (60cm)) and seemed eh! somewhat overweight. As I believed that fairys were very small – say no more than six inches tall (15cm) and slim this encounter caused me slight confusion. As did the fact that it actually seemed to have some sort of magic wand. Communication went something along the lines of;
‘Are you a fairy?’ – ‘Yes I’m a fairy’ – ‘Eh!! – Are you sure?’ – ‘YES‘ ‘Aren’t you eh!! . . . too eh . . . big? . . for a fairy? . . . ‘ – ‘!$$??£‘ ‘ . . . and is that a magic wand? . . . . . ‘
I don’t think she was impressed with this exchange; she went a little sulky. So, a fat over sized fairy stretched my boundaries about fairies. She seemed to be lonely and wanted to keep to herself. I never asked if she could cast spells with her wand. (For more detail of this encounter then read this post here)

Confusing encounters with fairies continue

So, that was my first encounter a mite confusing and this unfortunately continued with the next encounter too . . . . So, while at Bellingham in Northumberland on another walk I spotted a figure sitting in a similar looking tree (they do seem to have a preference for a tree that has an open branched area part way up to ‘lounge’ in). However as this Being was about four feet tall and male and wearing green (green!!) it was very definitely not impressed with my chat (Well I some how thought that faerys were only female and green was for pixies?).
‘Hey – are you a fairy?’ – ‘Yes’ ‘Well how come your wearing green like a pixie?’ – ‘!$$??£‘ ‘Hey . . . . Eh!! . . . are you male?’ ‘I thought fairies were only female?’ . . . . . . . ‘NO!!! – I AM A MALE FAIRY

Female and Male fae sightings

I could just imagine him thinking – “Don’t humans know anything?” (For way more detail of this second fairy encounter then read this post here)
At a certain point during my encounters I realized that what I was seeing, was only what they wanted me to see with respect to my understanding. I realized that different people would see the same Being differently and that what they saw would be representative of their own background, understanding and expectations.
So, with this in mind the next time that I was out in the woods and felt the presence of a fairy it was my wish to see this being as itpicture of an etheric fairy - more what they really look likeactually was rather than how it chose to presented itself to me. This was somewhere north of Rothbury outside a small place called Callaly if I recall correctly.

Seeing a Fairy as she REALLY is

The result was that I saw a large amorphous white cloud over a group of trees, this cloud is in reality what a fairy really is to a fairy – an intelligent energy form. As I tuned into a this cloud it coalesced and flowed down becoming more concentrated and eventually presented itself in front of me in the form of the fairy-tale fairy (much like the picture on the right). She was very beautiful and was quite amused with our encounter. I felt privileged to be in her presence, to see her as she really was and then to see her as she chooses to be recognized. It seems like my wish came true.
When you are accessing other realms to see or sense whatever is presented to you, there is always some feedback system at work. The beings you are accessing may have some ability to control their presentation; nature spirits do this.
For example the main nature spirit energy form Pan I have seen in two different forms and in one of he has so far presented himself between 2 meters tall and 30 meters.
The other factor is yourself, your past experiences and your engrained beliefs and ideas, these will ‘warp’ the interpretation of what you are presented with too.

What do fairies really look like

Well it follows from the above that it’s going to be very hard to be definitive. I have tried with the pictures above to edit and ‘play’ with them to more accurately depict the underlying energies. Some pictures that I really like because they present much more of the ‘flavour or taste’ of this realm follow;
All of these are copyright © Stephanie Pui Mun Law and are from the web site shadowscapes click on a picture or the banner at the bottom to visit her site.
two fairies togetherflower fairy arranging flowers
A group of fairies around some flower buds

Shadow scapes - place of magic

Who believes in the fae and do they really exist?

There is a an attitude amongst dimensionally challenged scientists that people will simply ‘imagine’ or ‘create’ in their minds what they believe. This is a fairly obvious assumption from a group of people whose training in part is about staying distanced from personal experience, feeling, imagination and even intuition while striving to be ‘logical’ and ‘rational’ and ‘observant’.
This attitude and orientation actually prevents people from properly and deeply engaging with their own internal processes, feelings and landscape. If you fully engage with your internal states; your feeling states, mind states and processes, intuition, imagination, senses, dream states and spend time consciously in them then you will become familiar enough from repeated experiential ‘experience’ with your own internal workings to know their boundaries and limits and therefore have no problem telling the inner internal from the inner external (like I do).
I am sensitive enough to my feelings and emotions for example to know the differences between feelings arising spontaneously in this moment or whether they are ‘reactive’ feelings being provoked in response to a past trauma or block. I even know the subtle differences that tell me that a feeling originates not in this life’s but in a past life.
The above exchange with fairies confirms that what I ‘believed’ or more accurately what I knew about fairies did not result in my internal memory or ‘belief’ states confirming this.

What is belief? When is a belief a ‘belief’?

I have trouble with the ‘B’ word, in terms of how people define what is a ‘belief’. You could say that belief exists when ‘repeated’ experience is lacking. Repeated experience of seeing nature spirits, fairies for example takes a person out of the realm of belief and into something else.
In this respect I ‘believe’ in Centaur’s, because I myself have not seen one BUT I have heard of others whom have.
For me it’s highly likely that just about EVERYTHING that has been consigned to ‘myth’ or ‘legend’ relates to peoples experiences of getting in touch with other dimensional realities that are somehow intersecting with this one in other times when a ‘stupid & superstitious’ rationality was less prevalent. As a species, humans are progressively disengaging from ‘feelings’ and subtle sensory states while barricading ourselves into a severely limited mind.
From the above I have to be adamant that I ‘DON’T’ believe in fairies, in the same way as I don’t have to ‘believe’ in the seat I’m sitting on now for me to sit on it. I have interacted with ‘fairies’ for quite a long time. Quite simply these ‘people’ exist, and they are some what much more friendly than many ‘rational’ types even when you bother them with stupid questions.

What to do NOW?

Some people coming here want to get in touch with Fairies themselves. I have a page HERE to help YOU connect with and encounter fairies or any nature spirits, so go there and read this and on that page is a link to another page to help you become more aware of these beings too.
Anyone want to make a fairy house? Then have a look at this page HERE. (this will open this site in a new window so you can still read what is here). On this fairy house page below the picture there is a link called ‘rules’ which takes you to a page of rules on making a fairy house. Also on the first page on the right click on the picture below where it says “How to build your own Fair House” for details of doing this or click HERE to get this page to open in a new window too. Have fun.

What is your ‘experience’?

In the mean time how many of you reading this have interesting tales of your own? Have you seen a fairy or another nature spirit type?If you have then tell us about it below! Don’t be shy?

Monday, 3 February 2014

Little People Among the Flowers

Little People Among the Flowers

BY CINDY H.


It must be 17 years ago. I promise you fully I had taken no drugs and was totally sober. My boyfriend at the time and I left a nightclub in Camden North London and decided to walk to Regents Park. It was high summer and the sunrise was already on the horizon. A while later, the sun had just fully risen as we walked past a flower bed. The flowers were tall, just below my knees.
I heard rustling. I turned to investigate and heard giggling. I stood agog as, Why would flowers giggle? Two small heads peeked around the last flower, one over the head of the other, as if the lower were crouching, looked at me, giggled and ran off back through the flowers. I took one step toward the flower bed, and decided against investigation.
I think I was in complete shock. I asked my beau if he had seen anything and he, of course, had seen nothing! I know what I saw and feel very privileged indeed!
I thought perhaps it had been another couple. They were male and female, but there was just no way they could have been human given the dimensions. I was very tired when this occurred, I'd been awake for 20 hours. It was as real to me as giving birth to my children. 

The History of Dragons

The History of Dragons

For more than seven centuries, dragons have played a role in lore and legend.
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The Jabberwocky, from Lewis Carroll's Through the Looking-Glass and What Alice Found There, 1872.
Although the time that dragons first appeared in myths isn't known for sure, they can be traced back as far as approximately 4000 B.C. Dragons are said to have been able to live almost anywhere, depending on the type of dragon mentioned. Their habitats range from the center of the earth to the middle of the ocean. They could also be found in caves, fire, or anywhere dark and damp.

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Stories of dragons appear all throughout history and almost every culture has their own idea about dragons. Some reasons for this could be the finding of dinosaur fossils. Dragons could be used to describe the indescribable bones of unknown creatures. There are stories about dragons in every part of the world, with the exception of Antartica. Even though there are no people in Antartica, which in that way would seem to make it attractive to dragons, the climate proposes a problem for these creatures who like fire or live in water, but not ice water.
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One type of dragon, or sea monster, was feared back in the
time of Christopher Columbus. During this time when the world was thought to be flat, these dragons were said to be at the edge of earth, waiting to eat any one who dared to sail that far into the ocean. This story kept many people from exploring farther into the world. Maps were even made marking the place where these dragons lived. At the edge of the map the words "Here Be Dragons" was almost always printed.
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A knight and a dragon.
Dragons have also appeared in stories that go back to the time of the gods in mythology. The story of Perseus and the Dragon of Posdeidon tells of a vain queen who almost sacrificed her daughter to the dragon, had it not been for Perseus.

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Dragons appear most in fairy tales and myths. In most cases the dragon is the keeper of some treasure, either gold and precious jewels or a maiden in despair. A knight in these stories must come to rescue the girl, or to retrieve the riches. To do this he must slay the dragon.
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Almost all young children have heard stories of dragons. A story that arose from the Middle Ages is about a knight, later called St. George, who rescued a princess from a dragon and in return was able to baptize the Pagan people to Christianity. The story says that every year a maiden was sacrificed to this dragon. One year when the princess was going to be sacrificed, St. George decided to rescue her. Using his sword, Ascalon, he was able to stab the dragon and later slay him. This may be one of the most popular heroic stories involving the death of dragons, although there are many. The story of St. George and the Dragon has been told for centuries and the event was even painted by the great artist Raphael.
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A norseman fights off a sea dragon.
Like St. George and the Dragon, many other stories have been told about dragons and the heroes who kill them. One story like this comes from Norway. The king left his daughter in the castle while he went away on a long trip. He left her a tiny dragon to be her guardian. The princess was skeptical of the tiny creatures, fearing that it could not protect her. However, the dragon soon grew into a large monster. He soon became too good of a guardian for the princess when he grew large enough to wrap his body all around the castle and not let anyone in or out of it. When the king returned home, even he was not permitted inside the castle. The only thing to do was to kill this dragon, so the king offered his the marriage of his daughter to anyone who could kill this dragon. No man in Norway was capable, but a man in Sweden finally killed the beast. As his reward he married the princess and they returned to Sweden together.

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Another story is about another young man who fought a dragon for the reward of bringing the king's daughter to his master for marriage. In this story Tristan is tricked by another man who wants the princess for his own wife. In the end Tristan cut off the dragon's tongue as proof of his accomplishment and the lies of the other man were discovered.
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During the times of dragons in England, anyone who killed a dragon was awarded knighthood. In ancient Rome, dragons were thought to hold the mysteries of the earth. Romans looked to dragons as a source of knowledge and used them as symbols of strength for their military. They used two forms of dragons, one which was used for heroism, to protect them, and the other, a fearsome dragon, used as a threat.
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A wizard fighting a wyrm on a cliff.
Other tales about dragons are more about their toes then the dragons themselves. How many toes a dragon has is quiet significant. Many different kinds of dragons are said to have 3 toes. The 4 toed dragons are said to be the earth dragons. But the 5 toed dragons are the most respected of all. Only a king or a high noble had the privilege of wearing a picture of the 5 toed dragon. In ancient times if a peasant was seen wearing the symbol of the 5 toed dragon, he would immediately be put to death.

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Dragons seem to have come from exaggerated myths about huge snakes, lizards or other reptiles. One type of dragon is actually called the Wyrm, and has a very snake-like form, with a dragon head. Another smaller form of dragon is called a dragonlet. These dragons are also venomous and
can be deadly. In the story The Dragonlet of St. Pilatus, only man with a bad temper and skills with a sword was able to defeat this monster that was only the height of the hero. In almost every culture and all throughout history there are stories of these magical creatures  called dragons.

http://www.draconika.com/history.php

Sunday, 2 February 2014

In the Name of Love

In the Name of Love
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Elites embrace the “do what you love” mantra. But it devalues work and hurts workers.
“Do what you love. Love what you do.”


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The command is framed and perched in a living room that can only be described as “well-curated.” A picture of this room appeared first on a popular design blog and has been pinned, tumbl’d, and liked thousands of times. Though it introduces exhortations to labor into a space of leisure, the “do what you love” living room is the place all those pinners and likers long to be.
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There’s little doubt that “do what you love” (DWYL) is now the unofficial work mantra for our time. The problem with DWYL, however, is that it leads not to salvation but to the devaluation of actual work—and more importantly, the dehumanization of the vast majority of laborers.
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Superficially, DWYL is an uplifting piece of advice, urging us to ponder what it is we most enjoy doing and then turn that activity into a wage-generating enterprise. But why should our pleasure be for profit? And who is the audience for this dictum?
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DWYL is a secret handshake of the privileged and a worldview that disguises its elitism as noble self-betterment. According to this way of thinking, labor is not something one does for compensation but is an act of love. If profit doesn’t happen to follow, presumably it is because the worker’s passion and determination were insufficient. Its real achievement is making workers believe their labor serves the self and not the marketplace.
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Aphorisms usually have numerous origins and reincarnations, but the nature of DWYL confounds precise attribution. Oxford Reference links the phrase and variants of it to Martina Navratilova and François Rabelais, among others. The Internet frequently attributes it to Confucius, locating it in a misty, orientalized past. Oprah Winfrey and other peddlers of positivity have included the notion in their repertoires for decades. Even the world of finance has gotten in on DWYL: “If you love what you do, it’s not ‘work,’” as the co-CEO of the private equity firm Carlyle Group put it to CNBC this week.
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The most important recent evangelist of DWYL, however, was the late Apple CEO Steve Jobs. In his graduation speech to the Stanford University Class of 2005, Jobs recounted the creation of Apple and inserted this reflection:
You’ve got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do.
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In these four sentences, the words “you” and “your” appear eight times. This focus on the individual isn’t surprising coming from Jobs, who cultivated a very specific image of himself as a worker: inspired, casual, passionate—all states agreeable with ideal romantic love. Jobs conflated his besotted worker-self with his company so effectively that his black turtleneck and jeans became metonyms for all of Apple and the labor that maintains it
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Do what you love. Wear what you love.
Photo by Justin Sullivan/Getty Images
But by portraying Apple as a labor of his individual love, Jobs elided the labor of untold thousands in Apple’s factories, hidden from sight on the other side of the planet—the very labor that allowed Jobs to actualize his love.
This erasure needs to be exposed. While DWYL seems harmless and precious, it is self-focused to the point of narcissism. Jobs’ formulation of DWYL is the depressing antithesis to Henry David Thoreau’s utopian vision of labor for all. In “Life Without Principle,” Thoreau wrote:
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… it would be good economy for a town to pay its laborers so well that they would not feel that they were working for low ends, as for a livelihood merely, but for scientific, even moral ends. Do not hire a man who does your work for money, but him who does it for the love of it.
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Admittedly, Thoreau had little feel for the proletariat. (It’s hard to imagine someone washing diapers for “scientific, even moral ends,” no matter how well paid.) But he nonetheless maintains that society has a stake in making work well compensated and meaningful. By contrast, the 21st-century Jobsian view asks us to turn inward. It absolves us of any obligation to, or acknowledgment of, the wider world.
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One consequence of this isolation is the division that DWYL creates among workers, largely along class lines. Work becomes divided into two opposing classes: that which is lovable (creative, intellectual, socially prestigious) and that which is not (repetitive, unintellectual, undistinguished). Those in the lovable-work camp are vastly more privileged in terms of wealth, social status, education, society’s racial biases, and political clout, while comprising a small minority of the workforce
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In ignoring most work and reclassifying the rest as love, DWYL may be the most elegant anti-worker ideology around.
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Photo by Brendan Smialowski/Getty Images
For those forced into unlovable work, it’s a different story. Under the DWYL credo, labor that is done out of motives or needs other than love—which is, in fact, most labor—is erased. As in Jobs’ Stanford speech, unlovable but socially necessary work is banished from our consciousness.
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Think of the great variety of work that allowed Jobs to spend even one day as CEO. His food harvested from fields, then transported across great distances. His company’s goods assembled, packaged, shipped. Apple advertisements scripted, cast, filmed. Lawsuits processed. Office wastebaskets emptied and ink cartridges filled. Job creation goes both ways. Yet with the vast majority of workers effectively invisible to elites busy in their lovable occupations, how can it be surprising that the heavy strains faced by today’s workers—abysmal wages, massive child care costs, etc.—barely register as political issues even among the liberal faction of the ruling class?
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In ignoring most work and reclassifying the rest as love, DWYL may be the most elegant anti-worker ideology around. Why should workers assemble and assert their class interests if there’s no such thing as work?
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“Do what you love” disguises the fact that being able to choose a career primarily for personal reward is a privilege, a sign of socioeconomic class. Even if a self-employed graphic designer had parents who could pay for art school and co-sign a lease for a slick Brooklyn apartment, she can bestow DWYL as career advice upon those covetous of her success.
By Miya Tokumitsu

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