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Sunday, 18 May 2014

Story of King Arthur and the Lady of the Lake


Story of King Arthur and the Lady of the Lake


King Uther Pendragon burned with passion and lust for the Lady Igraine, the wife of the Duke of Tintagel. He led an army to Cornwall and besieged the castle in his attempt to force the lady to share his bed. As the Duke of Tintagel’s lifeless body grew cold on the field of battle, Merlin the sorcerer used his magic powers to transform King Uther’s shape into that of the duke and he went straight away to Igraine and lay with her in the form of her husband. By this deception Arthur was conceived, but he was given to Merlin to be fostered so his mother never saw him grow up. She married King Uther and her three daughters by the Duke of Tintagel were married to kings, including King Lot of Orkney who married Margawse.

The legend says that Arthur was discovered to be the true heir to the throne of England when he pulled out a sword that was embedded through an anvil and into a large stone. This lay in London with a sign that proclaimed:

WHOSO PULLETH OUT THIS SWORD OF THIS STONE AND ANVIL IS RIGHTWISE KING BORN OF ALL ENGLAND

Arthur had not realised this when he pulled it out, but it was soon known that this young man was the rightful king of the land.

Arthur was accompanied by Merlin, but he lamented that he had no sword of his own, and who had ever heard of a king without a sword? Merlin took him to a lake where he saw a woman’s arm clad in white silk that was interwoven with gold and silver thread rise from the water clutching a sword. Arthur also saw a beautiful woman walking over the surface of the lake towards them. He asked Merlin who it was and he replied that it was Nimue, the Lady of the Lake, and that he must ask her for the sword, for it was her property. 


She greeted Arthur well, and he asked her if he may have the sword that was held aloft above the surface of the lake and she agreed, saying that it was called Excalibur and that it would serve him well. They were directed to a barge that lay by the water’s edge and they rowed to where the sword was held aloft. Arthur gripped the sword, which was protected by a beautiful scabbard made of gold and inlaid with precious gems, and the hand that had held it slipped back under the surface of the water. Merlin asked Arthur which he preferred, the sword or the scabbard?

Arthur said that he valued the sword best, but Merlin told him that he had chosen unwisely, for the scabbard had the power to protect him from harm on the battlefield and he should look after it with care. This scabbard would later be stolen by Arthur’s half-sister, the sorceress Morgan le Fay, who threw it into a lake when she was pursued by Arthur and his knights. She turned herself and her knights into stone to avoid being found, but the loss of the scabbard sealed Arthur’s fate.

Arthur extended his rule over all of Britain, defeating Scotland, Wales and Ireland in his campaigns. He married the Lady Guinevere, built a fine castle that he called Camelot and created the order of the Knights of the Round Table. But Arthur would bring about his own doom by fathering a child on his half-sister, Margawse, the wife of King Lot of Orkney. At that time Arthur didn’t know who his parents were and so was unaware that Margawse was his half-sister. 


Merlin told him of his awful mistake, but by that time it was too late. The son that was born from this union was called Mordred, and he would bring about Arthur’s death when he tried to seize the throne from him. At the last battle Arthur drove his spear into Mordred, but Mordred, feeling his death draw near, forced himself along the shaft of the spear until he could strike Arthur a great blow on the side of his head. Mordred lay dead with Arthur lying mortally wounded by his side. His trusted knight, Sir Bedevere, tried to comfort the dying king, but Arthur said to him,

'Take my sword Excalibur to the lake that lies over there and to throw it into the water and to come back and tell me what you saw.'


Sir Bedevere carried Excalibur to the water’s edge, but when he looked at the fine sword, with its golden pummel inlaid with gems, he thought that it was a waste to lose such a valuable weapon, so he hid it under a tree and returned to where King Arthur lay.

'Well?' said Arthur, 'What did you see?'

'I saw nothing, my king; just the ripples on the water when it entered.'

The king grew angry, saying, 'You are trying to deceive me! Go now and throw Excalibur into the lake. My life depends on it.'

Sir Bedevere went back to the lake and picked up Excalibur, but when he looked at it he still could not bring himself to throw the sword into the lake, so it returned it to its hiding place and went back to the king.

'Well?' said Arthur, 'What did you see?'

'Nothing, my king, just the ripples on the water.'

King Arthur’s face flushed red, 'You traitor! You have betrayed your king twice and placed more value on a sword than on my life. I will kill you with my own hands if you do not throw Excalibur into the lake. Hurry, for I don’t have much time and I am feeling the cold grip me.'

Sir Bedevere went back to the water’s edge and this time he took Excalibur in his hands and threw it with all his might into the lake. A woman’s arm, clad in white silk that was interwoven with gold and silver thread, rose up out of the lake and caught Excalibur by the hilt and then shook it three times before slipping silently beneath the surface of the water. Bedevere went back to King Arthur and told him what he had seen. King Arthur ordered him to help him down to the lake, so Bedevere carried him to the water’s edge where he saw a barge approach that had many beautiful women onboard it. 


They wept when they saw Arthur, and carefully Bedevere laid him in the bottom of the boat where the women tended him. One was Nimue, the Lady of the Lake, and as silently as they had arrived the boat slipped away from the shore, leaving Bedevere staring in wonder. Arthur was taken to the enchanted island of Avalon where he could be healed of his wounds. Some say that he is still there, waiting until such time as Britain is threatened by foreign invaders. Some say that he is asleep and will only be awoken when his country is in need of his protection.
© Tom Muir.

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Saturday, 17 May 2014

Hi dear friends and followers I thought this next entry would go well following my Nature poem from yesterday. Thank you for reading and please feel free to share your thoughts.

GREEK MYTHOLOGY

A Gift from the Gods

Medicine is and always has been the Divine Art. To primitive man, the ability to heal and cure disease seemed to be magical, even miraculous. The gospels of the New Testament are filled with the miraculous healings of Jesus. Every traditional culture has its gods, demigods, and heroes who are associated with the art of healing.
To the ancient Greeks, medicine was a gift from the gods. 

Greek mythology is full of symbolic legends and allegories explaining the nature and origins of the art of healing. In these myths and the gods and goddesses associated with them, we can find the basic, fundamental archetypes that have guided and shaped the art of healing in Western civilization from its very inception. 

These archetypes still guide the physician today, and all those who come to him for healing, whether they realize it or not.
Greek mythology is a wonderful source of wisdom and inspiration for the physician. By studying the Greek myths, we can gain valuable insights into the nature of health and disease, and the way of the healer.


GAIA
Mother Earth, Mother Nature

The first Greek god was actually a goddess. She is Gaia, or Mother Earth, who created herself out of primordial chaos. From her fertile womb all life sprang, and unto Mother Earth all living things must return after their allotted span of life is over.

Gaia, as Mother Nature, personifies the entire ecosystem of Planet Earth. Mother Nature is always working to achieve and maintain harmony, wholeness and balance within the environment. Mother Nature heals, nurtures and supports all life on this planet, and ultimately all life and health depend on Her. In time, Nature heals all ills.

The way of Mother Gaia is the passive, feminine, Yin way of healing. All we need to do to regain our health is to return to the bosom of Mother Nature and live in accordance with Her laws. The Gaia archetype underlies all notions of the Nature Cure. Mother Nature is a healing goddess.

In the 1960s, James Lovelock formulated the Gaia hypothesis. It states that all life, and all living things on this planet, are part of a single, all-encompassing global entity or consciousness which he named Gaia. It is this global consciousness, Mother Gaia, that makes our planet capable of supporting life, while our near neighbors in the solar system are barren and lifeless.

Through the global consciousness of Mother Gaia, all living things on this planet, from their most primordial instincts, are constantly interacting with their environment to ensure the harmony, balance and continuity of Life. Live in abalance with Mother Nature and health and healing are yours; violate Her laws and get out of balance, and you pay the price in suffering and disease. In this sense, all medicine and healing can be seen as a system of ecology.


http://www.greekmedicine.net/mythology/mythology.html
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Friday, 16 May 2014

Gaea Forest Spirit



Gaea Forest Spirit


You may get a glimpse of me,

everywhere you venture in the forest

Among the leaves that rustle in the breeze.

You may hear me among the whispering pines,

Or perhaps among the windblown trees.

I am deep within all that is green.

I am also the air that you breathe,

and the water you drink.

Those shadows you see at the edge of you vision,

The ones that dance 'tween the sun in the trees

and inspire the birds to sing their sweet melodies,

That is me.

I am the spirit of all that is green,

be it forest or lake I am their life within.

My voice is heard through the rustling leaves,

and in the whispering pines and the grass of the fields.

I hear your whispers, too.

You hear me and I long to be in your embrace,

Safe and protected in the arms of Gaea.

I'll feel you blowing gently in my ears, 

whispering your name.

Yes, you'll feel my touch in the gentle breeze,

soothing your troubled brow.

My woody scent will draw your thoughts beyond the mundane world,

to where awareness expands,

and you feel the pain of every trampled flower.

And when you're tired and fall asleep beneath the spreading Oak,

you'll dream my dreams then remembrance will come


that you and I have always been one.

Composed by Cynthia ©
In loving light to you all my dear friends
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Asturian Dragons



Asturian Dragons 

According to the Asturian mythology, “cuélebre” is a dragon or winged serpent that watches fantastic treasures. It has a poisonous breath, whistles strongly, and lives in underground caves.

It is a dangerous dragon: it feds on people and animals, it has hard fins and never stops growing in size. When it ages, the cuélebre grows so much that it exceeds the capacity the land can hold. For this reason, it must fly to the Cuajada Sea, which is filled with treasures and cuélebres that take care of each other.

SIMILARITIES WITH GREEK MYTHOLOGY

The legendary cuélebresresembles the dragons from Greek mythology. Those dragons used to watch golden apples at the garden of the Hesperides.

Also these dragons display bloodline relation with the ones found at the stories of Jason and the Argonauts.The Golden Fleece was protected by a frightful dragon that never slept.


GEOGRAPHY AND THE CUÉLEBRE

Cuélebres left their “signs” in theAsturian geography. The tales ofcuélebres served to baptize different geographic regions from this Spanish community: the Cave of the Cuélebre, the Well of the Cuélebre, the Ramada of the Cuélebre, and the Braña de Valdecuélebre.

One of the most popular legends carried out by the Asturian dragons is the one about the “big cuélebre that terrorized the monastery of Santo Domingo”. The convent, located atOviedo, was knocked down by a serpent-dragon that fed on monks.

But one of the friars devised an effective strategy for their salvation: it left a bread filled with pins near the dragon’s lair and the cuélebre died immediately after eating it.

Other myths about cuélebres speak of flying dragons that, while migrating to the sea, their wings got stuck on tree branches. After many days being immobilized, they died of hunger.

The Asturian art has represented this mythological animal at the Oviedo Cathedral, the church of Santa Maria de Celón, San Emeterio de Sietes, among other buildings from the sixteenth century.


by Marisa E. Martínez Pérsico


Another story version
The Cuelebre


In a hut in an Asturian village lived a very beautiful maiden, who was vain and forever daydreaming. She spent hours and hours combing her long flowing hair by a spring, and there was nothing she loved more than to admire her beautiful reflection in the limpid water of the pool. In vain her mother and grandmother warned her:

'It is dangerous to comb your hair by the spring. Be careful, because if a hair falls and ruffles the surface of the water, the spirit of the spring will bewitch you.'

'Old wives tales,' cried the girl, 'there are no spirit in the fountain.' But the girl was very wrong. In the pool lived a very powerful spirit, one of those nymphs of the streams and mountains which abound in the Asturian mythology. The spirit watched angrily as the girl spent the whole day combing her hair, never helping to spin the wool or knead the dough. She had not been able to do a thing about it, as the girl did not ruffle the water of the pool, but patiently the nymph waited for her chance.

Then one day, one of the girl's golden hairs fell into the water and the nymph, dressed in a cloak of green water, rose angrily out of the pool.

'Didn't your mother warn you not to ruffle the water?' she asked, in a very quiet voice.

'A hair as beautiful as this does not ruffle the water', replied the proud maiden.

'I am going to bewitch you to punish you for your pride', the spirit said icily. Barefoot, her long golden hair adorned with pearls and a crown made from the reflection of the moon, she alighted on the grass next to the pool. Frowning, she declared:'I am turning you into a cuelebre. You will only turn back into a maiden if you meet a knight who is so brave that he is not afraid of you and has a heart so pure that he finds you beautiful.

At once the girl's body grew to an enormous size and became covered with coloured scales. her golden hair turned into crests and two wings sprouted from her shoulders. With a howl of despair, the cuelebre slunk off weeping, and hid in a cave by the sea.

As all the youths who set eyes on the cuelebre are afraid, the proud girl who was bewitched by the spirit still lives in her little cave on the sea shore, waiting for the knight who will find her beautiful, so that she can become a maiden once more.
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Thursday, 15 May 2014

Land Spirits are Mountain Fairies

Mountain Fairies, Rock Fairies, and Fairies of the Land

When Cnoc Aine, a goddess of Celtic lore, showed a group of girls a hill through a hole in a stone, they were able to see that it was teaming with invisible beings. In some cases such beings are simply fairies which make their homes in hills and mountains; however, many of them are their own class of beings. Unlike most of the fairy relationships examined so far, mountain fairies and rock spirits seem to have no solid connection with humans, for unlike tree or ancestral fairies, they are not related to humans. Yet despite this they often are some of the most caring and helpful of the fairies. The Bjergfolk, for example, actively involved themselves in human affairs, helping with farming and fortune telling. Because they are not related to humans the way trees or deceased humans are, the reasons why such fairies take an interest in humans are often hard to ascertain.

It is true of course that occasionally some earth spirits are related to the human dead, this is not always the case. When people first landed in Iceland, there had never been humans their before yet there were rock fairies that began to help the human settlers almost immediately. One man named Bjorn made an agreement with one such rock fairy called a bergbui which appeared to him in a dream. The rock fairy provided him with a goat which helped to grow his herd rapidly and who also sent the land spirits to assist his brothers in their fishing and hunting endeavors. (Davidson and Davidson, 1989)

In another tale, a woman was searching for her husband which had been taken by a nix. She too had a dream that led her to a mountain where an old woman told her how to get her husband back and gave her the magical gifts which she needed free him. (Grimm and Grimm, 1912) This tale is similar to those of Japan in which someone has a dream on or near a mountain in which the Kami (which is similar to the mountain fairies of Europe) gives them advice or magical support. In another tale, the Spirit of the Steppes caused that a queen and her handmaidens should all become pregnant. Ultimately, the queen’s daughter was banished by her jealous husband to a distant land where she was raised by the trees and the breezes. (Ralston, 2004)

Fairies of the stones were so active in mortal affairs, in fact, that their name in Iceland means both “harvest” and “seer” as they would provide council to humans in their dreams and even actively guard peoples’ cattle. While this explains why humans worshiped these beings, it gives us little understanding of why the fairies would provide aid to the humans. Looking at our positive relationship with stone and earth fairies only seems to tell us that they are interested in a positive relationship with humans. In order to understand why they want to build a positive relationship, we perhaps are best served by examining human’s negative relationships with these fairies. There is ample evidence which shows that stone fairies are extremely sensitive.

In the 19th century, an Icelandic clergyman wrote that certain rocks and stones were called the stones of Landdisir (land goddesses). It was said to be unwise to make loud noises near them, and children were forbidden to play around them as bad luck would come to those who did not treat them with respect. (Davidson and Davidson, 1989) We see these beliefs mirrored in the world of that time as well where it was thought to be bad luck to disturb certain stones as they were the homes to the fairies. (Wentz, 1911) In other words, humans can impact rock spirits which are sensitive both to noise and being built upon. It may be that part of the rock spirits’ relationships with humans existed in order to avoid these things. Such sensitivity is problematic when humans are able to be so destructive. The vaetter of Iceland grew angry when they saw one human murder another, and for a long time ships with dragon’s heads were banned in the country for fear that they would disturb the stone spirits or give them the wrong impression of the human’s intentions. (Davidson and Davidson, 1911)

Because of their sensitivity, rock fairies do more than offer rewards to humans who keep the peace with them; they punish those who fail to do so. When humans do damage rocks or otherwise disturb them, the spirits of the land would haunt the humans acting much as we’d expect a poltergeist to act sometimes for thousands of years at a time. (Wentz, 1911) Rock and earth spirits then grow angry when they are disturbed or when they witness a human murder and begin to damage crops, haunt houses making it extremely difficult to find a safe place to build or farm. Children playing near a group of rocks could, for example, be cursed. A farmer who moves a boulder could have his farm and house become haunted, etc. And when someone dies violently, the rock spirits feel intense sympathy for the person. So tales of poltergeist activity from the human dead may, in fact, have originally been tales of poltergeist activity from stone spirits.

Beyond simply being sensitive to noises, stone and earth spirits appear to be very emotionally sensitive. These spirits are most often referred to in the plural because they live in family groups. (Davidson and Davidson, 1989) So it would appear that the typical stone or earth fairy prefers to live a sedentary lifestyle with strong family ties. Further, their hatred of violence shows a love of living creatures or at least those of human intelligence (they didn’t appear to mind humans butchering goats or cattle or hunting for animals and even helped humans in these tasks). From this we can presume that they cared about humans in much the same way that a motherly or fatherly figure might care about children in their neighborhood or the way a human might care about a stray kitten. 

Humans then threaten the fairies’ lifestyle so it is perhaps for this reason which they come to humans in order to make a deal with them such that the humans will leave them alone. Unlike trees or other types of fairies which simply came to people when they needed something, stone and earth fairies often appeared to people in their dreams rather than approaching them directly. This shows a certain amount of anxiety about having direct contact with humans just as it shows a desire to help them.
Celtic

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